Manipuri Raas Leela

The Manipuri Dance, also referred to as the Manipuri Raas Leela (Meitei: Jagoi Raas, Raas Jagoi), is one of the eight major Indian classical dance forms, originating from the state of Manipur. The dance form is imbued with the devotional themes of Madhura Raas of Radha-Krishna and characterised by gentle eyes and soft peaceful body movements. The facial expressions are peaceful mostly expressing Bhakti Rasa or the emotion of devotion, no matter if a dancer is Hindu or not. The dance form is based on Hindu Shastras of Vaishnavism and is exclusively attached to the worship of Radha Krishna. It is a portrayal of the dance of divine love of Lord Krishna with Radha and the cowherd damsels of Vrindavan, famously known as the Raas Leela.

 

The roots of the Manipuri Raas Leela dance, as with all classical Indian dances, is the ancient Hindu Sanskrit text Natya Shastra, with influences and the culture fusion between various local folk dance forms. With evidence of Vishnu temples in the medieval era, this dance form has been passed down verbally from generation to generation as an oral tradition. Interestingly, at a time when other Indian classical dances were struggling to shake off the stigma of decadent crudity and disrepute, the Manipuri classical dance was a top favorite with girls of 'respectable' families.

 

This Manipuri dance drama is, for most part is entirely religious and is considered to be a purely spiritual experience. It is accompanied with devotional music created with many instruments, with the beat set by cymbals (kartal or manjira) and double-headed drum (pung or Manipuri mrdanga) of sankirtan. The dance drama choreography shares the plays and stories of Vaishnavite Padavalis, that also inspired the major Gaudiya Vaishnava-related performance arts found in Assam and West Bengal.

Though the term Manipuri Dance is associated with the Raas Leela, Manipuri dance consists of jagoi, cholom and huyen langlon. Due to the latter, it is the only Indian classical dance form to feature violence as a motif.

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